Definitions sourced from MOMA Learning and TATE
When accessing content use the numbers below to guide you:
brief, basic information laid out in an easy-to-read format. May use informal language. (Includes most news articles)
provides additional background information and further reading. Introduces some subject-specific language.
lengthy, detailed information. Frequently uses technical/subject-specific language. (Includes most analytical articles)
Postcolonial art refers to art produced in response to the aftermath of colonial rule, frequently addressing issues of national and cultural identity, race and ethnicity
Art Gallery of NSW
Article - The uncompromising art of Australia’s Richard Bell: ‘There’s got to be a day of reckoning’ - in The Guardian
Trevor Nickolls
Other side art: Trevor Nickolls, a survey of paintings and drawings 1972 – 2007
Posthumous Blake Prize winner Trevor Nickolls' eerie influence
Julie Dowling
Julie Dowling’s Celebration Of Aboriginal Women Through Portraiture
Hannah Bronte
Nicholas Galanin
Interview in Don't Die Wondering
Peter Drew
Article in The Adelaide Review
Tony Albert
Museum of Contemporary Art
The Unbound Collective
Lisa Reihana
Hayley Millar-Baker
Article: The Art of Memory with Hayley Millar Baker - in Monster Children
Tracey Moffatt
Tracey Moffatt - Artist Profile
Museum of Contemporary Art
References
Art Gallery NSW. (n.d.). Featured Artists - Richard Bell. https://www.artgallery.nsw.gov.au/collection/artists/bell-richard/
Art Gallery NSW. (n.d.). The art that made me: Joan Ross. https://www.artgallery.nsw.gov.au/artsets/cswl4f
Borich, C. (2021, April 12). The Art of Memory with Hayley Millar Baker. Monster Children. https://www.monsterchildren.com/the-art-of-memory-with-hayley-baker-millar/
Dow, S. (2021, June 4). The uncompromising art of Australia’s Richard Bell: ‘There’s got to be a day of reckoning’. The Guardian. https://www.theguardian.com/artanddesign/2021/jun/04/the-uncompromising-art-of-australias-richard-bell-theres-got-to-be-a-day-of-reckoning
Dowling, J. (n.d.). About. Julie Dowling http://www.juliedowling.net/about.html
Flinders University. (n.d.). The Unbound Collective. https://www.flinders.edu.au/college-humanities-arts-social-sciences/unbound#:~:text=The%20Collective%20is%20Ali%20Gumillya,projection%2C%20and%20grandmother%2Dstories.
Galvin, N. (2013, October 17). Posthumous Blake Prize winner Trevor Nickolls' eerie influence. The Sydney Morning Herald. https://www.smh.com.au/entertainment/art-and-design/posthumous-blake-prize-winner-trevor-nickolls-eerie-influence-20131017-2vp35.html
Hayley Millar Baker. (n.d.). Hayley Millar Baker : About. https://www.hayleymillarbaker.com/contact
Jackett, A. (2015). Julie Dowling’s Celebration Of Aboriginal Women Through Portraiture. Woman’s Art Journal, 36(1), 3–9. https://www.jstor.org/stable/26430737
Laver, M. (2021, December 3). Nicholas Galanin: Art can be so powerful. It can change the world. Don't Die Wondering. https://www.dontdiewondering.com/nicholas-galanin-art-can-be-so-powerful-it-can-change-the-world/
Lisa Reihana. (n.d.). Lisa Reihana. https://www.lisareihana.com/
Maslen, K. (2019, July 31). Peter Drew questions art, family and Australian identity in a complicated memoir. The Adelaide Review. https://www.adelaidereview.com.au/arts/visual-arts/2019/07/31/peter-drew-poster-boy-memoir/
MOMA Learning. (n.d.). Glossary of Art Terms. https://www.moma.org/learn/moma_learning/glossary/
Munro, K. (n.d.). Joan Ross - Artist Profile. Museum of Contemporary Art. https://www.mca.com.au/artists-works/artists/joan-ross/
National Gallery of Victoria. (n.d.). Lisa Reihana : In Pursuit of Venus. https://www.ngv.vic.gov.au/exhibition/lisa-reihana/
Nets Victoria. (n.d.). Other side art: Trevor Nickolls, a survey of paintings and drawings 1972 – 2007. https://netsvictoria.org.au/exhibition/other-side-art-trevor-nickolls-a-survey-of-paintings-and-drawings-1972-2007/
NSW Department of Education. (n.d.). Visual Arts – The frames. https://schoolsequella.det.nsw.edu.au/file/5ef2cf0a-d8c1-44ba-987b-c048ccd376b8/1/the-frames.pdf
TATE. (n.d.). Art Term – Postcolonial Art. https://www.tate.org.uk/art/art-terms/p/postcolonial-art
The National. (n.d.). The Unbound Collective. https://www.the-national.com.au/artists/the-unbound-collective/sovereign-acts-iv-object/
Watson, J. (March 2008). Fractured Realities, Fractured Truths in Tracey Moffatt’s Nice Coloured Girls and Night Cries: A Rural Tragedy. Double Dialogues. https://www.doubledialogues.com/article/fractured-realities-fractured-truths-in-tracey-moffatts-nice-coloured-girls-and-night-cries-a-rural-tragedy/
Woods, C. (2020, May 31). She persists in art: reflecting on a powerful new voice. The Age. https://www.theage.com.au/culture/art-and-design/she-persists-in-art-reflecting-on-a-powerful-new-voice-20200531-p54y1i.html
Cover Image Credits
Tiernan, H.S. (2017). Colonial Wallpapers - Pacific Encounters [Oil on canvas]. Art and Australia. https://www.artandaustralia.com/online/discursions/decolonising-%E2%80%98postcolonial%E2%80%99